Tharathip (Kazuki) Mitsunaga, a third-culture-kid born to a Thai mother, a Japanese father, and raised by an American step-father; he lived in Bangkok for 12 years, moved to Rome for four, then Cairo for two. He is currently an undergraduate studying architecture in the U.S. at Virginia Tech.

During a semester in Copenhagen, he was inspired to commit to art, drawing from his international background and his experience existing between multiple cultural spheres.

His recent work focuses on cultural identity for those that transcend national borders. Kazuki works through the medium of art and architecture to make the self seen.

Kasey is a driven New York-based creative inspired by the motivation to connect with different communities, cultures, and walks of life through a passion for storytelling. She is fascinated by pushing the boundaries on what forms impactful storytelling can embody through producing immersive experiences, journalism, live performances, creating art, editing films, and writing stories.

Her work is influenced by her dance training from Nashville Ballet, New Dialect, Interlochen Center for the Arts, Violette Verdy at L'Academie Americain de Danse de Paris, Suzanne Farrell, Andra and Ernesta Corvino, and summers at the Pre-Movement Invention Project and Ellison Ballet. She made her NYC debut as a soloist in The Good So Far by Christopher Williams at David Geffen Hall. She performed in Paul Taylor's Company B at Interlochen Center for the Arts, works by Antonia Franceschi and Amy Hall Garner at New York Live Arts, as a dancer on HBO's Plot Against America, Kitri in Don Quixote and Alice in Alice in Wonderland at Columbia University, and as a supernumerary with American Ballet Theatre.

In 2021, Broekema graduated as a Core Scholar and on the Dean's List as an English major from Columbia University.