ISABella Aldridge
Fortune Favors the Brave
WHERE IT STARTED, WHERE IT'S GOING
Fortune Favors the Brave explores the complex tapestry of temporality, acceptance, and liberation, drawing inspiration from Mary Oliver's poem Wild Geese. The work reflects on the ever-changing nature of the human experience and invites spectators to ponder the notion of home and identity amidst societal constructs. Fortune Favors the Brave examines our reliance upon and liberation from the structures present in our daily lives, symbolized by a solitary chair. Through movement and metaphor, the piece encourages introspection into the essence of courage and the freedom we may find in acceptance.

Aldridge plans to develop the piece into a full evening-length work with Project III. She is interested in exploring how domestic living room settings can impact the work and audience's impressions from the sample this evening will be incorporated into the next steps of the creative development and exploration process.
ARTISTS
  • ISABELLA ALDRIDGE
    Lead artist, choreographer, & Perfomer
    Isabella Aldridge is a dance artist and choreographer based in New York. She began training in her hometown of Southern Maryland and later attended The Ailey School’s Junior Division program on scholarship. Isabella earned a BFA in dance from Ailey/Fordham BFA program at Lincoln Center, graduating summa cum laude, and also completed a BA in Communication and Culture. She furthered her training in the GibneyPRO Certificate program under the direction of Alexandra Wells and Bret Yamanaka. During her time in GibneyPRO, Isabella had the privilege of working in process with Peter Chu, Ana Maria Lucaciu, Laja Field, Adam Barruch, Lea Ved, and Sidra Bell. She has also supplemented her training with programs at the Gallim School of Movement, Orsolina 28, MOVE NYC’s SWEAT, Hubbard Street Dance Chicago, and The Ailey School.

    Isabella has performed in works by Alexander Anderson, Jacqulyn Buglisi, Jessica Castro, Jaryd Farcon, Elizabeth Keen, Natalie Lamonte, Cameron McKinney, Jamar Roberts, Bradley Shelver, and Yusha-Marie Sorzano. Isabella’s choreographic works have been performed at Gibney Dance Theater, The Ailey Citigroup Theatre, Steps Beyond Foundation Spring 2023 Performance Lab, Monet’s Garden: The Immersive Experience, and Battery Dance Festival.
  • Kasey Broekema
    Project III Facilitator
    Kasey is a driven New York-based creative inspired by the motivation to connect with different communities, cultures, and walks of life through a passion for storytelling. She is fascinated by pushing the boundaries on what forms impactful storytelling can embody through producing immersive experiences, journalism, live performances, creating art, editing films, and writing stories.

    Her work is influenced by her dance training from Nashville Ballet, New Dialect, Interlochen Center for the Arts, Violette Verdy at L'Academie Americain de Danse de Paris, Suzanne Farrell, Andra and Ernesta Corvino, and summers at the Pre-Movement Invention Project and Ellison Ballet. She made her NYC debut as a soloist in The Good So Far by Christopher Williams at David Geffen Hall. She performed in Paul Taylor's Company B at Interlochen Center for the Arts, works by Antonia Franceschi and Amy Hall Garner at New York Live Arts, as a dancer on HBO's Plot Against America, Kitri in Don Quixote and Alice in Alice in Wonderland at Columbia University, and as a supernumerary with American Ballet Theatre.

    In 2021, Broekema graduated as a Core Scholar and on the Dean's List as an English major from Columbia University.
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